Category: Meeting Authors


Wow… Okay, first, I have to shout-out one of my favorite YA authors Jay Asher. See, Jay writes books you can’t put down. In fact, people might stop you on the street for reading Thirteen Reasons Why because they’re also HUGE fans (happened to me. Of course, that’s because I read while walking. Um, maybe I shouldn’t admit that.)

Not only that, Jay really gets social media. And when I say someone really gets it, I definitely DON’T mean they’re the loudest guy on the block or they’re only using it to talk to some elite, mysterious group of powerplayers. Nope, Jay coyly posted this on Facebook last night:

You should go check out the lastest issue of Entertainment Weekly. I haven’t seen it myself yet, but apparently it’s got some nice articles this week.

Right. So when I saw the post, only one friend of his had replied. She asked if it had something to do with a Kardashian. Jay had even “Liked” her comment, but didn’t leave any more clues. Now, I’ve never met Jay in person, but I had a feeling he was holding back. So I asked,

Does it include news about the TRW movie or TFOU?? C’mon, man!

[I was referring to Thirteen Reasons Why and Jay’s upcoming book, The Future of Us (which coincidentally follows a girl glimpsing her 2011 Facebook profile 15 years early, like a social media crystal ball), co-written with Carolyn Mackler.]

That’s when the details finally started spilling. This week’s Entertainment Weekly includes a story on Jay and his work! Facebook being Facebook, that same comment thread detoured to TV spots, donuts, and new mantras to “Own the Ridonculousness” before finally settling on a virtual group hug. See, we all love Jay’s work and we’re so excited for him. I, for one, don’t mind shouting out all his news – even if he doesn’t want to. :) And that might just be what social media’s all about.

In other news, my Pitchapalooza win at Printer’s Row Lit Fest was covered in Newcity Lit today!
(In case you missed it, here are all the gory details.)

Okay, so I’ll try to tell it as best I can. I think my blood pressure’s plateaued enough.

If you’re my Facebook friend, you might have seen a link I posted recently – Printer’s Row Lit Fest‘s Pitchapalooza.

The Book Doctors, AKA Arielle Eckstut and David Henry Sterry

What the heck is Pitchapalooza? Here’s the description from the sign-up page:

The Book Doctors, aka, Arielle Eckstut and David Henry Sterry, authors of “The Essential Guide to Getting Your Book Published,” want YOU to pitch your book at their acclaimed event. Pitchapalooza is like American Idol for books – only without Simon. Writers get one minute to pitch their book ideas to an all-star panel of publishing experts. The winner receives an introduction to an appropriate agent or publisher for his/her book.

20-25 people will be randomly selected from the list to give their one-minute pitch.

I clicked the “Register” button. Saturday, June 4th at 4pm, Dearborn and Polk, Center Stage. This click seemed to set off a little flutter in my stomach. Was I already nervous? You better clickin’ believe I was.

But I had a solid base for my one-minute pitch – my query letter for Thirty Decibels, which has actually won its own award (more on that in an upcoming post…). I didn’t think of that first, though. Instead, I crafted a two-sentence pitch for Thirty Decibels – a pitch that would pique interest in the plot, not outline it. But as the time came, I began to realize a minute is a good hearty length. Two-hundred-something words, at least. Not only that, as Pitchapalooza began on that torrentially rainy afternoon, panelists Arielle, David, and colleague Joe Durepo explained that they’d declare a winner. David and Arielle are multi-book authors, and Arielle has been an agent for nearly 20 years. They’d refer this winner to an editor or agent appropriate for their work. I just came to pitch. The winning part hadn’t even registered.

I sat in the front row, rain pelting the parking-lot tent, listening to the first few pitch critiques on stage. “Your pitch needs a beginning, middle, and end.” “I need to know about the villain.” “What are the stakes?” “Everyone needs a climax.” (That was from jokester David.) “Tell us your genre and comp titles, so we know who your audience is.” “Your pitch needs to show me how it’ll feel to read your book.”

Hoo-wee. Luckily, I’d sent my manuscript and half-page pitch to a slew of test readers this week, so the email thread was still fresh in my inbox. I pulled it up on my phone and started scribbling away. I had to carve off a couple of subplots, but after a few minutes, I had something I could (probably) get through in a minute. Probably.

The pitch and critique process fascinated me. It’s no wonder Arielle and David (AKA The Book Doctors) travel around so much for these events. The pitches themselves can be pure entertainment! One in particular seemed to capture the panelists’ hearts, from a Mr. Adam Sleper. The voice of his main character seemed to leap out from the podium, and as he described his contemporary coming-of-age tale, all I could think was “craft.” This guy was good; he’d probably win.

The panelists called my name toward the end. The last time I remember being that excited to share something with an audience was for a vocal solo in high school. Everyone loves “Georgia on My Mind.” As I stepped up to the podium, I also knew they’d love Thirty Decibels.

Here’s my pitch, with a few side notes:

100 years from now, this would never happen.
[I point to the room of us – a crowd of people taking turns at a microphone]

That’s because in 100 years, only some people can speak and the rest have to whisper.
[The crowd laughs]
It’s determined by how long the candle stays lit on your fifteenth birthday. But Ava won’t let some fairy-tale tradition control her fate.

THIRTY DECIBELS is a young adult dystopian novel about a girl who makes herself a Whisperer. She can’t laugh, cry, argue, or speak louder than 30 decibels.

The Whisper Rules have kept the world quiet since riots called The Great Scream killed half the world. But as Ava looks closely, she sees cracks in the system and hears rumblings of change to come. She escapes regularly to the library, the only place Whisperers hold authority.
[Laughter again!]

While discovering music and other stories of silence, she finds her own voice. When her mother’s high-powered politico boss plans to silence Whisperers in unspeakable new ways, Ava must come clean about everything in front of an audience of thousands and take a stand.

This is young-adult dystopian for fans of John Green and Laurie Halse Anderson.

Arielle, David, and Joe gave me a few comments and kudos. Some of it was a blur, but I took notes as best I could with a quaky hand. The first thing I heard was “That was awesome.” I think Arielle said it. She also said something about loving the concept and its freshness. “I don’t consider myself a fantasy fan, but… you got me.” I’ll never forget that. David said he’d like to get an image of “how the world is different.” He said “the way everything fits together” is really cool – like Whisperers and libraries, and Arielle agreed. Joe’s suggested the background on the society be more upfront, and that I use a comparable title at the end of the pitch. I’m sure I was glowing – they seemed at a loss for more to comment on. :)

At the end, the panelists walked away to deliberate. I assumed it’d take a while, so I popped out my phone and texted friends – It’s done, they said it was awesome! – but after about 90 seconds, they reconvened onstage, holding two slips of paper. “We have two winners,” David said, and Arielle read them. “Margo Rowder,” and ohmigosh do I stand up? Okay, I’m standing up “Ohmigod, thank you!” That guy’s the other winner, isn’t he? “…and Adam Sleper.” “I knew it!” I blurted. I’m such a goof.

As we approached stage left, a girl from Newcity (a weekly Chicago newspaper) asked to take our photo. After meeting Arielle, going over next steps, and talking with fellow pitch-ers, I practically forced Adam to join me for a sandwich… after all, he was probably the only one who understood my sentiment at that moment: “What the heck just happened?” We walked, shell-shocked and only semi-lucid, into a Potbelly sandwich shop. We discussed our plans for these books, ideas for our nexts, and the writing community in general. Oh, and turns out, when Adam heard my pitch, he knew he was in trouble.  :)

Update, 6/10/11: Here’s Newcity Lit’s coverage of the event!

What’s the3six5, you ask? Put simply, it’s a daily blog written by an author mosaic – a different person every day. Authors are young and old, famous folks and average Joes, writers and non-writers, from across the world.

And now, you can VOTE for the3six5.com among the internet’s best.

The blog has been nominated for a Webby Award in the Connections category: “Sites that connect people, create communities, and give individuals and small groups a vehicle for their expression and participation online.”

If the3six5 doesn’t epitomize this, I’ll print out this post and eat it.

Why in holy heck would I do that? Here’s a little more background:

Founders Len Kendall and Daniel Honigman set up shop in 2009, soliciting design input and working hard to line up the first 365 authors. On January 1, 2010, they kicked off the crowdsourced blog experiment. I’ve since lost track of all the mentions the3six5 has received over these last 16 months, but let’s just say it’s much-loved. One of my favorite early POVs on the project comes from self-proclaimed social cyborg and cyberculturalist Dr. Kevin Lim:

Around the start of 2010, I began hearing about this idea dubbed the3six5 project. A bunch of transmedia and emerging media folks discussed it with great fervor.

So I took a look…
frowned…
then asked…
“What’s the big effing deal?”

(Read the rest of Dr. Lim’s post here.)

I’m a huge fan of the3six5, and not just because I was lucky enough to contribute my own post last February (including the blog’s first-ever video clip). I’ve also found the project has connected me with friends I’ll have for life. I highly recommend it for your blog shortlist, as a daily reminder that we’re all human. For every day that goes by, every post published, the blog itself practically begins to breathe.

Cast your vote for the3six5 today!

On Wednesday night, I had dinner at Russian Tea Time, sharing a table with Audrey Niffenegger.

Audrey Niffenegger's The Night Bookmobile

Audrey signed my copy of The Night Bookmobile

I’d bid on and won the seat through Evanston Public Library FriendsArmchair Auction. The 11 other lucky bidders came from varied backgrounds, covering an age range from college student to retiree.

Blink and you may not have noticed Audrey’s entrance – because contrary to popular belief, bestselling authors put one foot in front of the other just like the rest of us. They also sit at tables, introduce themselves, and seek fellow guests’ names just like we do. When the introductions reached me, I shook her hand and said my name.

But this wasn’t the first time I’d met Audrey.

In July 2007, Ms. Niffenegger gave an illuminating discussion and Q&A on THE TIME TRAVELER’S WIFE at the Chicago History Museum. Afterwards, she signed my limited-run first edition, complete with her own jacket illustration: a beautiful sea of flowing red hair. And I got up some sort of gumption. I told her about a short story I planned to develop into a book, and could she take a peek? (I’d like to imagine I was very charming.)

Audrey has a flair for creating real, flawed characters, so I’d probably mentioned that and a few other nervous blubberings. Out of an outsized kindness, she invited me to send her the story. Wow, was I ever excited, and so lucky – the chances of this happening have to be slim, given Audrey’s multiple, established, and busy careers as a writer, artist, and teacher.

I sent her the short story that same night.

Less than two weeks later, I received several paragraphs of questions, comments, and notes from Audrey. Totally unexpected, wonderful food for the mind. She also said I was an “interesting writer” and she’d be glad to see the next stage of the story.

More than three years passed. Audrey’s email and her recommendations to read “The Lottery” and re-read THE HANDMAID’S TALE helped shape the novel-length version of THIRTY DECIBELS. (Back then it was named FIFTEEN, until the Boring Police called.) I outlined, wrote a few chapters, stalled a bit, completed draft one, and hurtled through many months of revisions.

So when Audrey shook my hand on Wednesday night, I expected to be a new face.
Instead, her head tilted the tiniest bit.

“We’ve met.”

“Yes.”

“I read your story.”

Oh. My. God.
“I’m so impressed you remember!”

I guess that was the best reply I could come up with. I’d like to imagine I was very charming.

The evening couldn’t have been more engaging. Nearly all of us had fine arts backgrounds. We discussed the merits of rye bread. We laughed about silly things, and reflected on sad things. Technically we were strangers, but for at least that night, we were good friends.

And someone – let alone an incredible writer – remembered reading my story, three years later.