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Okay, so I’ll try to tell it as best I can. I think my blood pressure’s plateaued enough.

If you’re my Facebook friend, you might have seen a link I posted recently – Printer’s Row Lit Fest‘s Pitchapalooza.

The Book Doctors, AKA Arielle Eckstut and David Henry Sterry

What the heck is Pitchapalooza? Here’s the description from the sign-up page:

The Book Doctors, aka, Arielle Eckstut and David Henry Sterry, authors of “The Essential Guide to Getting Your Book Published,” want YOU to pitch your book at their acclaimed event. Pitchapalooza is like American Idol for books – only without Simon. Writers get one minute to pitch their book ideas to an all-star panel of publishing experts. The winner receives an introduction to an appropriate agent or publisher for his/her book.

20-25 people will be randomly selected from the list to give their one-minute pitch.

I clicked the “Register” button. Saturday, June 4th at 4pm, Dearborn and Polk, Center Stage. This click seemed to set off a little flutter in my stomach. Was I already nervous? You better clickin’ believe I was.

But I had a solid base for my one-minute pitch – my query letter for Thirty Decibels, which has actually won its own award (more on that in an upcoming post…). I didn’t think of that first, though. Instead, I crafted a two-sentence pitch for Thirty Decibels – a pitch that would pique interest in the plot, not outline it. But as the time came, I began to realize a minute is a good hearty length. Two-hundred-something words, at least. Not only that, as Pitchapalooza began on that torrentially rainy afternoon, panelists Arielle, David, and colleague Joe Durepo explained that they’d declare a winner. David and Arielle are multi-book authors, and Arielle has been an agent for nearly 20 years. They’d refer this winner to an editor or agent appropriate for their work. I just came to pitch. The winning part hadn’t even registered.

I sat in the front row, rain pelting the parking-lot tent, listening to the first few pitch critiques on stage. “Your pitch needs a beginning, middle, and end.” “I need to know about the villain.” “What are the stakes?” “Everyone needs a climax.” (That was from jokester David.) “Tell us your genre and comp titles, so we know who your audience is.” “Your pitch needs to show me how it’ll feel to read your book.”

Hoo-wee. Luckily, I’d sent my manuscript and half-page pitch to a slew of test readers this week, so the email thread was still fresh in my inbox. I pulled it up on my phone and started scribbling away. I had to carve off a couple of subplots, but after a few minutes, I had something I could (probably) get through in a minute. Probably.

The pitch and critique process fascinated me. It’s no wonder Arielle and David (AKA The Book Doctors) travel around so much for these events. The pitches themselves can be pure entertainment! One in particular seemed to capture the panelists’ hearts, from a Mr. Adam Sleper. The voice of his main character seemed to leap out from the podium, and as he described his contemporary coming-of-age tale, all I could think was “craft.” This guy was good; he’d probably win.

The panelists called my name toward the end. The last time I remember being that excited to share something with an audience was for a vocal solo in high school. Everyone loves “Georgia on My Mind.” As I stepped up to the podium, I also knew they’d love Thirty Decibels.

Here’s my pitch, with a few side notes:

100 years from now, this would never happen.
[I point to the room of us – a crowd of people taking turns at a microphone]

That’s because in 100 years, only some people can speak and the rest have to whisper.
[The crowd laughs]
It’s determined by how long the candle stays lit on your fifteenth birthday. But Ava won’t let some fairy-tale tradition control her fate.

THIRTY DECIBELS is a young adult dystopian novel about a girl who makes herself a Whisperer. She can’t laugh, cry, argue, or speak louder than 30 decibels.

The Whisper Rules have kept the world quiet since riots called The Great Scream killed half the world. But as Ava looks closely, she sees cracks in the system and hears rumblings of change to come. She escapes regularly to the library, the only place Whisperers hold authority.
[Laughter again!]

While discovering music and other stories of silence, she finds her own voice. When her mother’s high-powered politico boss plans to silence Whisperers in unspeakable new ways, Ava must come clean about everything in front of an audience of thousands and take a stand.

This is young-adult dystopian for fans of John Green and Laurie Halse Anderson.

Arielle, David, and Joe gave me a few comments and kudos. Some of it was a blur, but I took notes as best I could with a quaky hand. The first thing I heard was “That was awesome.” I think Arielle said it. She also said something about loving the concept and its freshness. “I don’t consider myself a fantasy fan, but… you got me.” I’ll never forget that. David said he’d like to get an image of “how the world is different.” He said “the way everything fits together” is really cool – like Whisperers and libraries, and Arielle agreed. Joe’s suggested the background on the society be more upfront, and that I use a comparable title at the end of the pitch. I’m sure I was glowing – they seemed at a loss for more to comment on. :)

At the end, the panelists walked away to deliberate. I assumed it’d take a while, so I popped out my phone and texted friends – It’s done, they said it was awesome! – but after about 90 seconds, they reconvened onstage, holding two slips of paper. “We have two winners,” David said, and Arielle read them. “Margo Rowder,” and ohmigosh do I stand up? Okay, I’m standing up “Ohmigod, thank you!” That guy’s the other winner, isn’t he? “…and Adam Sleper.” “I knew it!” I blurted. I’m such a goof.

As we approached stage left, a girl from Newcity (a weekly Chicago newspaper) asked to take our photo. After meeting Arielle, going over next steps, and talking with fellow pitch-ers, I practically forced Adam to join me for a sandwich… after all, he was probably the only one who understood my sentiment at that moment: “What the heck just happened?” We walked, shell-shocked and only semi-lucid, into a Potbelly sandwich shop. We discussed our plans for these books, ideas for our nexts, and the writing community in general. Oh, and turns out, when Adam heard my pitch, he knew he was in trouble.  :)

Update, 6/10/11: Here’s Newcity Lit’s coverage of the event!

Lights, camera, Thirty Decibels

Behind the scenes, my friends, something pretty exciting is underway: a book trailer for Thirty Decibels. I’m partnering with local imaging / production studio Palinopsia, and we’re currently finalizing storyboards. I get geeked every time I think about it… but more on that later.

Now, I need your help.

We’re now casting a few lead roles for the trailer. Screen tests aren’t set yet; we’ll hold them in Chicago around mid-June. Interested actors should send details (name, previous acting experience) and a picture to margorowder@gmail.com.
Got a question? Please post a comment below and I’ll answer ASAP.

Lead roles:

Ava
Main character
Age: 15 (considering ages 13-17)
Medium blonde hair

Ben
Ava’s love interest
Age: 16 (considering ages 15-18)
Brown hair, athletic build

Michele
Ava’s best friend
Age: 15 (considering ages 13-17)
Brown or auburn hair

Background on the story, in short:

In a society where few may speak above a whisper, 15-year-old singer Ava refuses to talk – and discovers the strength to take a stand.

This is an open call, so send this along to nieces, nephews, sons, or daughters. They might be just who we’re looking for.  :) Thanks for your help!

K. L. Going’s book caught my eye right away.

Troy Billings is seventeen years old, lives in NYC, and Fat Kid Rules the World is just one of the hilarious headlines he makes up throughout the story.

Troy also weighs nearly 300 pounds, and everyone stares. Or at least he thinks they do.

He also thinks it might be a good idea to splat himself in the NY subway after seventeen unremarkable years, but he’s not even sure if he’ll get that right. That’s when Curt MacCrae, the only semi-homeless semi-student punk rock artist legend from school cons Troy into buying him lunch. Curt’s so charismatic, he even tries to convince Troy that drumming in seventh grade means he can play in a punk band.

As a drummer who got started playing in high school, of course I was drawn to this book. Just like Troy, I went from playing too softly (“Are those drumsticks or Q-tips?”) to practicing morning to way past sundown, lost in it, hardly believing how many hours had gone by.

Beyond Troy’s cringe-worthy musical journey, both he and Curt have real, live flaws. This always keeps me flipping pages. And they learn a great deal from each other. I loved the moment when Curt practically forces Troy to observe a couple in a diner, beyond just that initial point when they seem so perfect. Beneath the “headline” mentality he’s become so used to. He sees fear spark in their eyes as they eat messy food – ketchup drips, food falls from forks, humanity cracks through that perfect veneer. Turns out they do look stupid every now and then, and even they care how they look.

Ironically, that scene illustrates why YA lit is universal. We all remember that awkward time in our lives when everyone else was just a little more perfect than we were. If you’re honest, you’ll admit that feeling still creeps up on you now, in your older and supposedly wiser years. Thank goodness when that happens, you can laugh it off. Usually.

[Sigh.] Loved it. :)

Check out Fat Kid Rules the World on Indiebound and Amazon.com.

Can’t Help But Love Like Mandarin

I just finished reading Kirsten Hubbard’s Like Mandarin this week.

Grace Carpenter, its main character, lives in Washokey, Wyoming. She’s a failed beauty queenlet (by choice), one year ahead in school (not by choice), and has an obsession with dead things. Well, rocks. But rocks have to be the most dead things on the planet, right?

Most of all, Grace wants to be – you guessed it – like Mandarin Ramey.

I want to be beautiful like you, I thought, as if Mandarin were listening.

I want apricot skin and Pocahontas hair and eyes the color of tea. I want to be confident and detached and effortlessly sensual, and if promiscuity is part of the package, I will gladly follow your lead. All I know is I’m so tired of being inside my body.

I would give anything to be like Mandarin.

The story follows an unlikely friendship – one girl wants to leave town, the other seems to own it. I found the book so utterly readable, and I admired every page because I know how much work that sort of writing can take.

Though Grace and Mandarin start out as different as peanut butter and glass, both characters stood strong. In other writers’ hands, Mandarin could have overshadowed Grace, but Ms. Hubbard gave Grace the solid characterization and authenticity that makes you root for her like you know her. Like you are her. And just like the rocks Grace kept so carefully and carried in her pocket, she knew herself. She just didn’t know she did.

The book’s third main character seemed to be the town itself, Washokey, WY – if only through its effect on people: its crazy-making wildwinds, its “badlands” (Grace’s hiding spot), its power to persuade Grace’s mother she belonged nowhere else. In Ms. Hubbard’s deft hands and through her clear, flowing style, Grace’s breakthroughs and Mandarin’s stormy episodes came to life. Even though she seemed so exotic at first, I think we’re all a little like Mandarin.

Check out Like Mandarin on IndieBound and Amazon.

Already read it? I’d love to know – what’d you think?