Category: Thirty Decibels


On Wednesday night, I had dinner at Russian Tea Time, sharing a table with Audrey Niffenegger.

Audrey Niffenegger's The Night Bookmobile

Audrey signed my copy of The Night Bookmobile

I’d bid on and won the seat through Evanston Public Library FriendsArmchair Auction. The 11 other lucky bidders came from varied backgrounds, covering an age range from college student to retiree.

Blink and you may not have noticed Audrey’s entrance – because contrary to popular belief, bestselling authors put one foot in front of the other just like the rest of us. They also sit at tables, introduce themselves, and seek fellow guests’ names just like we do. When the introductions reached me, I shook her hand and said my name.

But this wasn’t the first time I’d met Audrey.

In July 2007, Ms. Niffenegger gave an illuminating discussion and Q&A on THE TIME TRAVELER’S WIFE at the Chicago History Museum. Afterwards, she signed my limited-run first edition, complete with her own jacket illustration: a beautiful sea of flowing red hair. And I got up some sort of gumption. I told her about a short story I planned to develop into a book, and could she take a peek? (I’d like to imagine I was very charming.)

Audrey has a flair for creating real, flawed characters, so I’d probably mentioned that and a few other nervous blubberings. Out of an outsized kindness, she invited me to send her the story. Wow, was I ever excited, and so lucky – the chances of this happening have to be slim, given Audrey’s multiple, established, and busy careers as a writer, artist, and teacher.

I sent her the short story that same night.

Less than two weeks later, I received several paragraphs of questions, comments, and notes from Audrey. Totally unexpected, wonderful food for the mind. She also said I was an “interesting writer” and she’d be glad to see the next stage of the story.

More than three years passed. Audrey’s email and her recommendations to read “The Lottery” and re-read THE HANDMAID’S TALE helped shape the novel-length version of THIRTY DECIBELS. (Back then it was named FIFTEEN, until the Boring Police called.) I outlined, wrote a few chapters, stalled a bit, completed draft one, and hurtled through many months of revisions.

So when Audrey shook my hand on Wednesday night, I expected to be a new face.
Instead, her head tilted the tiniest bit.

“We’ve met.”

“Yes.”

“I read your story.”

Oh. My. God.
“I’m so impressed you remember!”

I guess that was the best reply I could come up with. I’d like to imagine I was very charming.

The evening couldn’t have been more engaging. Nearly all of us had fine arts backgrounds. We discussed the merits of rye bread. We laughed about silly things, and reflected on sad things. Technically we were strangers, but for at least that night, we were good friends.

And someone – let alone an incredible writer – remembered reading my story, three years later.

The Armchair Auction for Evanston Public Library Friends was a success in many respects: it raised enough money to keep Evanston’s branch libraries open for an additional six months, reaffirmed my belief that citizens value their libraries, and offered an excellent opportunity to reach out and get some writer friends involved.

All that aside:

I can hardly sit still in my chair right now because tomorrow night – also thanks to the auction – I’m having dinner with Audrey Niffenegger (she of THE TIME TRAVELER’S WIFE, HER FEARFUL SYMMETRY, and THE NIGHT BOOKMOBILE)!

Twelve seats were on auction, and I managed to nab one! I still can’t believe it.

Stay tuned here for a full report…….!

Someone wants to interview me?

I’ve said it before, I’ll say it again: YA writers make up one of the richest, most generous networks you’ll find.

Another case in point: Blogger Dorothy Dreyer’s We Do Write blog, whose summary reads:

At this very moment, future best sellers are being written by people among us. It could be anyone.

It could be you.
I thought I’d take it upon myself to get to know them before they shoot off into stardom, and show my support during their climb.
Wow!
Dorothy recently asked to interview me about THIRTY DECIBELS. I couldn’t believe it for a few days, but then I came up with some decent answers…

Check out the interview here.

Revisions? Yay!

Yeah, I know. Seems too chipper, right? But hear me out.Feeling too good this week?

I’ve been chomping at the bit to query for THIRTY DECIBELS. The letter’s been through the wringer (courtesy of YAlitchat and the practice boards at WriteOnCon) and I’m raring and scraping my feet to pound the path ahead. The manuscript itself has seen about four complete drafts, of 5-7 revisions each. (Sounds weird, right? Post to come.)

But I must take deep breaths.

I know these pages need more eyes on them – starting with my SCBWI colleague/friend Trina Sotira. She co-founded Musewrite and gave me amazing feedback through a three-chapter critique I won at the Armchair Auction for Evanston libraries. She even helped shape my synopsis. Simply put, Trina rocks.

So of course I had to send her the full MS for a big-picture critique. Only one other pro has seen it so far – author Kevin MColley, the instructor for my class through the Institute of Children’s Literature.

Today, Trina told me I’ll get the critique on Friday – that she’s got some good ideas on “restructuring.”

If you’d asked me a year ago how I’d react to a word like that, I might have squinted and tried to save face with a pat answer like, “Heh. Could be… interesting…?”

But I seriously cannot wait to see what she says. She explained she’d like to take the story to “epic proportions of awesomeness.” How cool is that? She’ll help me see my path forward, so I can send the best possible pages to my epically awesome beta readers.

Let’s go. My feet are scraping the dirt again.

Speaking of epically awesome beta readers: would you like to be one?

Please leave a comment below or click my pic at the top right.
(And thanks in advance!)