Category: Travel


If I seem like a shy writer, it’s because I’m in the midst of moving this week from Chicago to sunny Los Angeles. My work with Critical Mass leads me there, and I couldn’t be more grateful. LA holds a lot of opportunity for folks in the field of digital content. My head spins and my heart swells. But mostly the spinning.

I’ll post an update very soon after the move. Feel free to ask questions in the comments! I’ll be happy to answer.

If I could describe SCBWI’s (Society of Children’s Book Writers and Illustrators’) annual international conference in one word, I’d call it:

infreakingtense.

But what can you expect from a group, 20,000+-strong, as they cap off their 40th year?

This was my first SCBWI-LA conference, and I only wish I’d stocked up on sleep beforehand. I was in for some serious inspiration.

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Arriving late on the night before the festivities, I was wired enough that of course I didn’t get a proper night’s rest. Of course!

The first day began with a wonderfully honest and engaging run-down of writing advice from Bruce Coville. His first tip? Marry rich.

I took to heart another piece of Bruce’s advice: “Scare yourself.” Take on projects that rattle your nerves. You’ll grow immensely. He followed that up with “Stop scaring yourself” – meaning, don’t talk yourself out of taking action. I believe every writer struggles with this at one point or another. This sort of self-sabotage paralyzes everyone who’s ever wanted to write… but just hasn’t yet. A story’s in there. Just put it down. And “Don’t be afraid to show your heart,” as Bruce put it. “Don’t be sentimental, just honest.”

The conference was full of honest voices, including authors Laurie Halse Anderson, Judy Blume, Libba Bray, Donna Jo Napoli, David Small, Gary Paulsen, and Nova Ren Suma, agents Marcia Wernick, Barry Goldblatt, Tina Wexler, Michael Bourret, and Tracey Adams, publishers Julie Strauss-Gabel, Alessandra Balzer, Jennifer Hunt, Allyn Johnston, Debra Dorfman, and Beverly Horowitz, plus the SCBWI’s own exec director Lin Oliver and its president Stephen Mooser.

More than one of my favorite authors shared that they’d started writing to escape a sour marriage. Writing had given other authors refuge from personal demons. For one, writing became therapy in lieu of mental health coverage. Author David Small, whose vocal cords and ability to speak had been severed for 10 years following a neck surgery, rather appropriately quoted Vargas in his rousing talk: “Life is a shitstorm. And when it begins to rain, the only umbrella we have is art.”

If you want to write, trust me (and everyone who’s done it before): The story won’t be good right away. If you don’t believe me, take it from Judy Blume, whose book Summer Sisters didn’t truly emerge until her 23rd draft. Twenty-three drafts. So just put the words down, to start. Writing’s a little like recovering from alcoholism. Take it one step at a time, and through some steady work, you’ll get stronger. You’ll show your best self. (Yes, I take liberties with metaphor.)

Here’s my favorite part of attending SCBWI-LA: Wherever I looked, I knew I’d find someone just like me, toiling away on that thing they love. That story they have to tell. If they’d made the trip to SCBWI-LA like me, that means they’re just as serious about telling it. And I find so much hope in that. Don’t you?

I blame J.J. Abrams

The first clue were the three helicopters hovering above my neighborhood this morning as I left my building. Next were the trademark blue “City of Chicago” sawhorses lining a street corner on my way to the Montrose brown line el stop. Once I was just west of Ravenswood Avenue, I experienced an oddly brown mud/ice concoction underfoot. I saw some activity in the street ahead as I entered the station, but I focused on getting my train. I’d hear something about it at some point, right?

On my way up to the platform, a girl was taking a photo with her camera phone from the first flight of stairs. “Whoa,” I said. Here’s why:

Side view of Montrose 1-22-08

Top view of Montrose 1-22-08

A water main had broken along Montrose, East of Damen, at about 1:30 this morning. The water was shut off at 7, and there’s a big clean-up job ahead. Several cars that were parked along this stretch were submerged or towed away.

My coworker Tim took both of these photos. He’s calling it “Crater Day.” I blame J.J. Abrams for devising this elaborate publicity stunt to remind Chicago to see Cloverfield.

El-iquette

A few points to remember as you’re riding the CTA trains in Chicago (we Chicagoans call it “the el”):

1. Don’t worry so much about getting ready for your stop. Standing near the door for your whole ride just puts you in the way of other people trying to use the doors. Similarly, preparing yourself for the next stop well beforehand by forcing a tiny path through the rest of us (packed like sardines) is equally curious and irritating. Seriously, chillax! I have never seen anyone miss their stop because they didn’t get out in time.

2. Use your inside voice. When you’re in a group on the el, people aren’t amused by you unless they have nothing better to do. Same thing goes for cell phone convos. No one cares! In fact, they’d rather you shut your gab-hole so they can read their books. Red line riders are sometimes exempt from this rule, because the train itself can’t be bothered to stay quiet.

3. Seats have borders, too. When you’re lucky enough to score one of those not-quite ergonomic seats on the el, you get all the space within the confines of those nifty lines that border its fuzzy blue (or brown) surface. In other words, no one should cross borders with their giant elbows as they read the paper or text their (probably equally self-entitled) friend.

4. Check your scent. Everyone knows that voices carry – but breath travels, too. Carry a pack of gum with you for those post-coffee mornings.

I know I’ve missed a few – feel free to let me know your El-iquette additions.

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