Category: Meeting Authors


About an eon ago, my friend, young-adult author James Kennedy, “took over” my blog – I hosted a giveaway when his book The Order of Odd-Fish came out in paperback. Oh what fun that was, since James was also gearing up for his “Dome of Doom” fan art show and battle-dance party in Chicago – in which yours truly competed and valiantly… uh, lost… in the first round. But anyway.

James is up to some serious fun again. This time, he’s asking folks to retell Newbery-winning stories…  In video, in 90 SECONDS.

[Cough] Oh my. The prospect starts my little heart racing, it does. The contest has gotten lots of kids, classrooms, and families inspired, too. James and co-curator Betsy Bird (she of School Library Journal’s Fuse8!) have collected dozens of entries from miles around. With submissions from Canada and New Zealand, this thing has gone international AND intercontinental.

(Where it all began: A Wrinkle in Time by Madeleine L’Engle, starring James’s niece Freya. She’ll also star in the book trailer for my young adult novel Thirty Decibels.)

Check out this entry, told entirely in shadow-puppets!

Grace Lin’s Where the Mountain Meets the Moon

OH! Here’s one that had me laughing. I mean, c’mon, it’s a musical!:

The 21 Balloons by William Péne du Bois

Mark your calendars for the 90-Second Newbery Film Festival:

New York:  Saturday, November 5, 2011, 3-5 pm
The 90-Second Newbery Film Festival at the New York Public Library main branch (Fifth Avenue at 42nd Street, New York, NY. 917.275.6975.)
Co-hosted by James Kennedy and Jon Scieszka, with appearances by Rebecca Stead and Ayun Halliday!

Chicago: Wednesday, November 16, 2011, 6-8 pm
The 90-Second Newbery Film Festival at the Harold Washington Public Library in Chicago (400 South State Street)

Even better: you can be a part of it. That’s right, James is taking entries until October 17th!

Here’s James’s take on the whole thing:

Teachers, here’s a fun project that will get your students reading Newbery winners.
Students, here’s an excuse to mess around with video equipment.
Librarians, here’s an activity to do with your teen advisory boards.
Anyone can enter. Everyone wins!

I love it! For full rules, head over to the official contest announcement. And get crackin’ on your entry!

If I could describe SCBWI’s (Society of Children’s Book Writers and Illustrators’) annual international conference in one word, I’d call it:

infreakingtense.

But what can you expect from a group, 20,000+-strong, as they cap off their 40th year?

This was my first SCBWI-LA conference, and I only wish I’d stocked up on sleep beforehand. I was in for some serious inspiration.

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Arriving late on the night before the festivities, I was wired enough that of course I didn’t get a proper night’s rest. Of course!

The first day began with a wonderfully honest and engaging run-down of writing advice from Bruce Coville. His first tip? Marry rich.

I took to heart another piece of Bruce’s advice: “Scare yourself.” Take on projects that rattle your nerves. You’ll grow immensely. He followed that up with “Stop scaring yourself” – meaning, don’t talk yourself out of taking action. I believe every writer struggles with this at one point or another. This sort of self-sabotage paralyzes everyone who’s ever wanted to write… but just hasn’t yet. A story’s in there. Just put it down. And “Don’t be afraid to show your heart,” as Bruce put it. “Don’t be sentimental, just honest.”

The conference was full of honest voices, including authors Laurie Halse Anderson, Judy Blume, Libba Bray, Donna Jo Napoli, David Small, Gary Paulsen, and Nova Ren Suma, agents Marcia Wernick, Barry Goldblatt, Tina Wexler, Michael Bourret, and Tracey Adams, publishers Julie Strauss-Gabel, Alessandra Balzer, Jennifer Hunt, Allyn Johnston, Debra Dorfman, and Beverly Horowitz, plus the SCBWI’s own exec director Lin Oliver and its president Stephen Mooser.

More than one of my favorite authors shared that they’d started writing to escape a sour marriage. Writing had given other authors refuge from personal demons. For one, writing became therapy in lieu of mental health coverage. Author David Small, whose vocal cords and ability to speak had been severed for 10 years following a neck surgery, rather appropriately quoted Vargas in his rousing talk: “Life is a shitstorm. And when it begins to rain, the only umbrella we have is art.”

If you want to write, trust me (and everyone who’s done it before): The story won’t be good right away. If you don’t believe me, take it from Judy Blume, whose book Summer Sisters didn’t truly emerge until her 23rd draft. Twenty-three drafts. So just put the words down, to start. Writing’s a little like recovering from alcoholism. Take it one step at a time, and through some steady work, you’ll get stronger. You’ll show your best self. (Yes, I take liberties with metaphor.)

Here’s my favorite part of attending SCBWI-LA: Wherever I looked, I knew I’d find someone just like me, toiling away on that thing they love. That story they have to tell. If they’d made the trip to SCBWI-LA like me, that means they’re just as serious about telling it. And I find so much hope in that. Don’t you?

Wow… Okay, first, I have to shout-out one of my favorite YA authors Jay Asher. See, Jay writes books you can’t put down. In fact, people might stop you on the street for reading Thirteen Reasons Why because they’re also HUGE fans (happened to me. Of course, that’s because I read while walking. Um, maybe I shouldn’t admit that.)

Not only that, Jay really gets social media. And when I say someone really gets it, I definitely DON’T mean they’re the loudest guy on the block or they’re only using it to talk to some elite, mysterious group of powerplayers. Nope, Jay coyly posted this on Facebook last night:

You should go check out the lastest issue of Entertainment Weekly. I haven’t seen it myself yet, but apparently it’s got some nice articles this week.

Right. So when I saw the post, only one friend of his had replied. She asked if it had something to do with a Kardashian. Jay had even “Liked” her comment, but didn’t leave any more clues. Now, I’ve never met Jay in person, but I had a feeling he was holding back. So I asked,

Does it include news about the TRW movie or TFOU?? C’mon, man!

[I was referring to Thirteen Reasons Why and Jay's upcoming book, The Future of Us (which coincidentally follows a girl glimpsing her 2011 Facebook profile 15 years early, like a social media crystal ball), co-written with Carolyn Mackler.]

That’s when the details finally started spilling. This week’s Entertainment Weekly includes a story on Jay and his work! Facebook being Facebook, that same comment thread detoured to TV spots, donuts, and new mantras to “Own the Ridonculousness” before finally settling on a virtual group hug. See, we all love Jay’s work and we’re so excited for him. I, for one, don’t mind shouting out all his news – even if he doesn’t want to. :) And that might just be what social media’s all about.

In other news, my Pitchapalooza win at Printer’s Row Lit Fest was covered in Newcity Lit today!
(In case you missed it, here are all the gory details.)

Okay, so I’ll try to tell it as best I can. I think my blood pressure’s plateaued enough.

If you’re my Facebook friend, you might have seen a link I posted recently – Printer’s Row Lit Fest‘s Pitchapalooza.

The Book Doctors, AKA Arielle Eckstut and David Henry Sterry

What the heck is Pitchapalooza? Here’s the description from the sign-up page:

The Book Doctors, aka, Arielle Eckstut and David Henry Sterry, authors of “The Essential Guide to Getting Your Book Published,” want YOU to pitch your book at their acclaimed event. Pitchapalooza is like American Idol for books – only without Simon. Writers get one minute to pitch their book ideas to an all-star panel of publishing experts. The winner receives an introduction to an appropriate agent or publisher for his/her book.

20-25 people will be randomly selected from the list to give their one-minute pitch.

I clicked the “Register” button. Saturday, June 4th at 4pm, Dearborn and Polk, Center Stage. This click seemed to set off a little flutter in my stomach. Was I already nervous? You better clickin’ believe I was.

But I had a solid base for my one-minute pitch – my query letter for Thirty Decibels, which has actually won its own award (more on that in an upcoming post…). I didn’t think of that first, though. Instead, I crafted a two-sentence pitch for Thirty Decibels – a pitch that would pique interest in the plot, not outline it. But as the time came, I began to realize a minute is a good hearty length. Two-hundred-something words, at least. Not only that, as Pitchapalooza began on that torrentially rainy afternoon, panelists Arielle, David, and colleague Joe Durepo explained that they’d declare a winner. David and Arielle are multi-book authors, and Arielle has been an agent for nearly 20 years. They’d refer this winner to an editor or agent appropriate for their work. I just came to pitch. The winning part hadn’t even registered.

I sat in the front row, rain pelting the parking-lot tent, listening to the first few pitch critiques on stage. “Your pitch needs a beginning, middle, and end.” “I need to know about the villain.” “What are the stakes?” “Everyone needs a climax.” (That was from jokester David.) “Tell us your genre and comp titles, so we know who your audience is.” ”Your pitch needs to show me how it’ll feel to read your book.”

Hoo-wee. Luckily, I’d sent my manuscript and half-page pitch to a slew of test readers this week, so the email thread was still fresh in my inbox. I pulled it up on my phone and started scribbling away. I had to carve off a couple of subplots, but after a few minutes, I had something I could (probably) get through in a minute. Probably.

The pitch and critique process fascinated me. It’s no wonder Arielle and David (AKA The Book Doctors) travel around so much for these events. The pitches themselves can be pure entertainment! One in particular seemed to capture the panelists’ hearts, from a Mr. Adam Sleper. The voice of his main character seemed to leap out from the podium, and as he described his contemporary coming-of-age tale, all I could think was “craft.” This guy was good; he’d probably win.

The panelists called my name toward the end. The last time I remember being that excited to share something with an audience was for a vocal solo in high school. Everyone loves “Georgia on My Mind.” As I stepped up to the podium, I also knew they’d love Thirty Decibels.

Here’s my pitch, with a few side notes:

100 years from now, this would never happen.
[I point to the room of us – a crowd of people taking turns at a microphone]

That’s because in 100 years, only some people can speak and the rest have to whisper.
[The crowd laughs]
It’s determined by how long the candle stays lit on your fifteenth birthday. But Ava won’t let some fairy-tale tradition control her fate.

THIRTY DECIBELS is a young adult dystopian novel about a girl who makes herself a Whisperer. She can’t laugh, cry, argue, or speak louder than 30 decibels.

The Whisper Rules have kept the world quiet since riots called The Great Scream killed half the world. But as Ava looks closely, she sees cracks in the system and hears rumblings of change to come. She escapes regularly to the library, the only place Whisperers hold authority.
[Laughter again!]

While discovering music and other stories of silence, she finds her own voice. When her mother’s high-powered politico boss plans to silence Whisperers in unspeakable new ways, Ava must come clean about everything in front of an audience of thousands and take a stand.

This is young-adult dystopian for fans of John Green and Laurie Halse Anderson.

Arielle, David, and Joe gave me a few comments and kudos. Some of it was a blur, but I took notes as best I could with a quaky hand. The first thing I heard was “That was awesome.” I think Arielle said it. She also said something about loving the concept and its freshness. “I don’t consider myself a fantasy fan, but… you got me.” I’ll never forget that. David said he’d like to get an image of “how the world is different.” He said “the way everything fits together” is really cool – like Whisperers and libraries, and Arielle agreed. Joe’s suggested the background on the society be more upfront, and that I use a comparable title at the end of the pitch. I’m sure I was glowing – they seemed at a loss for more to comment on. :)

At the end, the panelists walked away to deliberate. I assumed it’d take a while, so I popped out my phone and texted friends – It’s done, they said it was awesome! – but after about 90 seconds, they reconvened onstage, holding two slips of paper. “We have two winners,” David said, and Arielle read them. “Margo Rowder,” and ohmigosh do I stand up? Okay, I’m standing up “Ohmigod, thank you!” That guy’s the other winner, isn’t he? “…and Adam Sleper.” “I knew it!” I blurted. I’m such a goof.

As we approached stage left, a girl from Newcity (a weekly Chicago newspaper) asked to take our photo. After meeting Arielle, going over next steps, and talking with fellow pitch-ers, I practically forced Adam to join me for a sandwich… after all, he was probably the only one who understood my sentiment at that moment: “What the heck just happened?” We walked, shell-shocked and only semi-lucid, into a Potbelly sandwich shop. We discussed our plans for these books, ideas for our nexts, and the writing community in general. Oh, and turns out, when Adam heard my pitch, he knew he was in trouble.  :)

Update, 6/10/11: Here’s Newcity Lit’s coverage of the event!

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