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Love libraries? Vote in the Pepsi Refresh Project!

As you might know, I have a soft spot for libraries. After hearing about a dip in Illinois public library funding, I attended city council budget meetings in Evanston and helped support fundraising efforts through blogging and getting other writers involved. The Evanston Public Library Friends have seen victories and setbacks. But through thick and thin they’ve persisted, and they’ve got a lot to show for it. Namely, they’ve opened The Mighty Twig – a volunteer-run, storefront library established to help replace Evanston’s shuttered South Branch.

How successful have they been?

In the Mighty Twig’s first six months:

  • 18,017 people visited
  • 509 children checked out 6,062 books
  • Volunteers distributed 15,297 free books across Evanston
  • They’ve built up a long wait-list of volunteers ages 10 to 89

They want to do even more – but they need your help.

Vote NOW for The Mighty Twig!Vote for Mighty Twig on Pepsi Refresh!
Help underserved areas get books.

The Mighty Twig’s newest project, “Right Book. Right Place. Right Person needs your vote in the Pepsi Refresh Challenge. Cheryl Chamberlain, Twig Advisory Board member (who’s also on EPLF’s Board of Directors) says,

With our project, we’ll buy books by African-American authors and books in Spanish and distribute them to 10 book centers in public areas throughout west Evanston. These areas have zero library services. We also have another three reading rooms beyond The Mighty Twig, and yesterday we began work on our fourth.

How to Vote

The top 15 candidates will get a grant, but The Mighty Twig’s standing is in the mid-20’s. So please vote once per day until the contest ends on November 30, 2011.
Vote online here: http://www.refresheverything.com/themightytwig

Vote via text:
Send the code 109325 in a text message to PEPSI (73774).

Don’t forget:

You can vote every day both online and via text.
Thanks for your support!

If I seem like a shy writer, it’s because I’m in the midst of moving this week from Chicago to sunny Los Angeles. My work with Critical Mass leads me there, and I couldn’t be more grateful. LA holds a lot of opportunity for folks in the field of digital content. My head spins and my heart swells. But mostly the spinning.

I’ll post an update very soon after the move. Feel free to ask questions in the comments! I’ll be happy to answer.

About an eon ago, my friend, young-adult author James Kennedy, “took over” my blog – I hosted a giveaway when his book The Order of Odd-Fish came out in paperback. Oh what fun that was, since James was also gearing up for his “Dome of Doom” fan art show and battle-dance party in Chicago – in which yours truly competed and valiantly… uh, lost… in the first round. But anyway.

James is up to some serious fun again. This time, he’s asking folks to retell Newbery-winning stories…  In video, in 90 SECONDS.

[Cough] Oh my. The prospect starts my little heart racing, it does. The contest has gotten lots of kids, classrooms, and families inspired, too. James and co-curator Betsy Bird (she of School Library Journal’s Fuse8!) have collected dozens of entries from miles around. With submissions from Canada and New Zealand, this thing has gone international AND intercontinental.

(Where it all began: A Wrinkle in Time by Madeleine L’Engle, starring James’s niece Freya. She’ll also star in the book trailer for my young adult novel Thirty Decibels.)

Check out this entry, told entirely in shadow-puppets!

Grace Lin’s Where the Mountain Meets the Moon

OH! Here’s one that had me laughing. I mean, c’mon, it’s a musical!:

The 21 Balloons by William Péne du Bois

Mark your calendars for the 90-Second Newbery Film Festival:

New York:  Saturday, November 5, 2011, 3-5 pm
The 90-Second Newbery Film Festival at the New York Public Library main branch (Fifth Avenue at 42nd Street, New York, NY. 917.275.6975.)
Co-hosted by James Kennedy and Jon Scieszka, with appearances by Rebecca Stead and Ayun Halliday!

Chicago: Wednesday, November 16, 2011, 6-8 pm
The 90-Second Newbery Film Festival at the Harold Washington Public Library in Chicago (400 South State Street)

Even better: you can be a part of it. That’s right, James is taking entries until October 17th!

Here’s James’s take on the whole thing:

Teachers, here’s a fun project that will get your students reading Newbery winners.
Students, here’s an excuse to mess around with video equipment.
Librarians, here’s an activity to do with your teen advisory boards.
Anyone can enter. Everyone wins!

I love it! For full rules, head over to the official contest announcement. And get crackin’ on your entry!

On Wednesday night, I had dinner at Russian Tea Time, sharing a table with Audrey Niffenegger.

Audrey Niffenegger's The Night Bookmobile

Audrey signed my copy of The Night Bookmobile

I’d bid on and won the seat through Evanston Public Library FriendsArmchair Auction. The 11 other lucky bidders came from varied backgrounds, covering an age range from college student to retiree.

Blink and you may not have noticed Audrey’s entrance – because contrary to popular belief, bestselling authors put one foot in front of the other just like the rest of us. They also sit at tables, introduce themselves, and seek fellow guests’ names just like we do. When the introductions reached me, I shook her hand and said my name.

But this wasn’t the first time I’d met Audrey.

In July 2007, Ms. Niffenegger gave an illuminating discussion and Q&A on THE TIME TRAVELER’S WIFE at the Chicago History Museum. Afterwards, she signed my limited-run first edition, complete with her own jacket illustration: a beautiful sea of flowing red hair. And I got up some sort of gumption. I told her about a short story I planned to develop into a book, and could she take a peek? (I’d like to imagine I was very charming.)

Audrey has a flair for creating real, flawed characters, so I’d probably mentioned that and a few other nervous blubberings. Out of an outsized kindness, she invited me to send her the story. Wow, was I ever excited, and so lucky – the chances of this happening have to be slim, given Audrey’s multiple, established, and busy careers as a writer, artist, and teacher.

I sent her the short story that same night.

Less than two weeks later, I received several paragraphs of questions, comments, and notes from Audrey. Totally unexpected, wonderful food for the mind. She also said I was an “interesting writer” and she’d be glad to see the next stage of the story.

More than three years passed. Audrey’s email and her recommendations to read “The Lottery” and re-read THE HANDMAID’S TALE helped shape the novel-length version of THIRTY DECIBELS. (Back then it was named FIFTEEN, until the Boring Police called.) I outlined, wrote a few chapters, stalled a bit, completed draft one, and hurtled through many months of revisions.

So when Audrey shook my hand on Wednesday night, I expected to be a new face.
Instead, her head tilted the tiniest bit.

“We’ve met.”

“Yes.”

“I read your story.”

Oh. My. God.
“I’m so impressed you remember!”

I guess that was the best reply I could come up with. I’d like to imagine I was very charming.

The evening couldn’t have been more engaging. Nearly all of us had fine arts backgrounds. We discussed the merits of rye bread. We laughed about silly things, and reflected on sad things. Technically we were strangers, but for at least that night, we were good friends.

And someone – let alone an incredible writer – remembered reading my story, three years later.

Okay, so I’ll try to tell it as best I can. I think my blood pressure’s plateaued enough.

If you’re my Facebook friend, you might have seen a link I posted recently – Printer’s Row Lit Fest‘s Pitchapalooza.

The Book Doctors, AKA Arielle Eckstut and David Henry Sterry

What the heck is Pitchapalooza? Here’s the description from the sign-up page:

The Book Doctors, aka, Arielle Eckstut and David Henry Sterry, authors of “The Essential Guide to Getting Your Book Published,” want YOU to pitch your book at their acclaimed event. Pitchapalooza is like American Idol for books – only without Simon. Writers get one minute to pitch their book ideas to an all-star panel of publishing experts. The winner receives an introduction to an appropriate agent or publisher for his/her book.

20-25 people will be randomly selected from the list to give their one-minute pitch.

I clicked the “Register” button. Saturday, June 4th at 4pm, Dearborn and Polk, Center Stage. This click seemed to set off a little flutter in my stomach. Was I already nervous? You better clickin’ believe I was.

But I had a solid base for my one-minute pitch – my query letter for Thirty Decibels, which has actually won its own award (more on that in an upcoming post…). I didn’t think of that first, though. Instead, I crafted a two-sentence pitch for Thirty Decibels – a pitch that would pique interest in the plot, not outline it. But as the time came, I began to realize a minute is a good hearty length. Two-hundred-something words, at least. Not only that, as Pitchapalooza began on that torrentially rainy afternoon, panelists Arielle, David, and colleague Joe Durepo explained that they’d declare a winner. David and Arielle are multi-book authors, and Arielle has been an agent for nearly 20 years. They’d refer this winner to an editor or agent appropriate for their work. I just came to pitch. The winning part hadn’t even registered.

I sat in the front row, rain pelting the parking-lot tent, listening to the first few pitch critiques on stage. “Your pitch needs a beginning, middle, and end.” “I need to know about the villain.” “What are the stakes?” “Everyone needs a climax.” (That was from jokester David.) “Tell us your genre and comp titles, so we know who your audience is.” ”Your pitch needs to show me how it’ll feel to read your book.”

Hoo-wee. Luckily, I’d sent my manuscript and half-page pitch to a slew of test readers this week, so the email thread was still fresh in my inbox. I pulled it up on my phone and started scribbling away. I had to carve off a couple of subplots, but after a few minutes, I had something I could (probably) get through in a minute. Probably.

The pitch and critique process fascinated me. It’s no wonder Arielle and David (AKA The Book Doctors) travel around so much for these events. The pitches themselves can be pure entertainment! One in particular seemed to capture the panelists’ hearts, from a Mr. Adam Sleper. The voice of his main character seemed to leap out from the podium, and as he described his contemporary coming-of-age tale, all I could think was “craft.” This guy was good; he’d probably win.

The panelists called my name toward the end. The last time I remember being that excited to share something with an audience was for a vocal solo in high school. Everyone loves “Georgia on My Mind.” As I stepped up to the podium, I also knew they’d love Thirty Decibels.

Here’s my pitch, with a few side notes:

100 years from now, this would never happen.
[I point to the room of us – a crowd of people taking turns at a microphone]

That’s because in 100 years, only some people can speak and the rest have to whisper.
[The crowd laughs]
It’s determined by how long the candle stays lit on your fifteenth birthday. But Ava won’t let some fairy-tale tradition control her fate.

THIRTY DECIBELS is a young adult dystopian novel about a girl who makes herself a Whisperer. She can’t laugh, cry, argue, or speak louder than 30 decibels.

The Whisper Rules have kept the world quiet since riots called The Great Scream killed half the world. But as Ava looks closely, she sees cracks in the system and hears rumblings of change to come. She escapes regularly to the library, the only place Whisperers hold authority.
[Laughter again!]

While discovering music and other stories of silence, she finds her own voice. When her mother’s high-powered politico boss plans to silence Whisperers in unspeakable new ways, Ava must come clean about everything in front of an audience of thousands and take a stand.

This is young-adult dystopian for fans of John Green and Laurie Halse Anderson.

Arielle, David, and Joe gave me a few comments and kudos. Some of it was a blur, but I took notes as best I could with a quaky hand. The first thing I heard was “That was awesome.” I think Arielle said it. She also said something about loving the concept and its freshness. “I don’t consider myself a fantasy fan, but… you got me.” I’ll never forget that. David said he’d like to get an image of “how the world is different.” He said “the way everything fits together” is really cool – like Whisperers and libraries, and Arielle agreed. Joe’s suggested the background on the society be more upfront, and that I use a comparable title at the end of the pitch. I’m sure I was glowing – they seemed at a loss for more to comment on. :)

At the end, the panelists walked away to deliberate. I assumed it’d take a while, so I popped out my phone and texted friends – It’s done, they said it was awesome! – but after about 90 seconds, they reconvened onstage, holding two slips of paper. “We have two winners,” David said, and Arielle read them. “Margo Rowder,” and ohmigosh do I stand up? Okay, I’m standing up “Ohmigod, thank you!” That guy’s the other winner, isn’t he? “…and Adam Sleper.” “I knew it!” I blurted. I’m such a goof.

As we approached stage left, a girl from Newcity (a weekly Chicago newspaper) asked to take our photo. After meeting Arielle, going over next steps, and talking with fellow pitch-ers, I practically forced Adam to join me for a sandwich… after all, he was probably the only one who understood my sentiment at that moment: “What the heck just happened?” We walked, shell-shocked and only semi-lucid, into a Potbelly sandwich shop. We discussed our plans for these books, ideas for our nexts, and the writing community in general. Oh, and turns out, when Adam heard my pitch, he knew he was in trouble.  :)

Update, 6/10/11: Here’s Newcity Lit’s coverage of the event!

After a few fantastic casting sessions and a challenging decision-making process, I’d like to introduce you to the lead actors for the Thirty Decibels trailer:

Ava (known in real life as Freya)

Ava's love interest, Ben (Cole)

Ava's BFF Michele (Katherine)

 

 

 

 

 

 

 

 

 

 

 

I cannot wait to see Freya, Cole, and Katherine bring the story to life! Each of them seem to naturally embody their characters, which made our casting sessions quite enjoyable – and maybe even a little surreal.

I’m thrilled beyond belief about the level of talent involved so far. Along with these awe-inspiring actors, I’m also working with an amazing director, Sehban Zaidi of Palinopsia Studio. (Here’s Sehban’s reel.)

Right now, we’re finalizing storyboards and scouting locations, and we’ll shoot within the next six weeks.

We need Chicago-area locations.

If you know of a choir rehearsal space (as you’d find in a school), a library, or a theater/stage space (all in/around Chicago, to appear in the trailer), please give me a shout. We’re in need!

…And stay tuned for more behind-the-scenes updates.  :)


If I could describe SCBWI’s (Society of Children’s Book Writers and Illustrators’) annual international conference in one word, I’d call it:

infreakingtense.

But what can you expect from a group, 20,000+-strong, as they cap off their 40th year?

This was my first SCBWI-LA conference, and I only wish I’d stocked up on sleep beforehand. I was in for some serious inspiration.

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Arriving late on the night before the festivities, I was wired enough that of course I didn’t get a proper night’s rest. Of course!

The first day began with a wonderfully honest and engaging run-down of writing advice from Bruce Coville. His first tip? Marry rich.

I took to heart another piece of Bruce’s advice: “Scare yourself.” Take on projects that rattle your nerves. You’ll grow immensely. He followed that up with “Stop scaring yourself” – meaning, don’t talk yourself out of taking action. I believe every writer struggles with this at one point or another. This sort of self-sabotage paralyzes everyone who’s ever wanted to write… but just hasn’t yet. A story’s in there. Just put it down. And “Don’t be afraid to show your heart,” as Bruce put it. “Don’t be sentimental, just honest.”

The conference was full of honest voices, including authors Laurie Halse Anderson, Judy Blume, Libba Bray, Donna Jo Napoli, David Small, Gary Paulsen, and Nova Ren Suma, agents Marcia Wernick, Barry Goldblatt, Tina Wexler, Michael Bourret, and Tracey Adams, publishers Julie Strauss-Gabel, Alessandra Balzer, Jennifer Hunt, Allyn Johnston, Debra Dorfman, and Beverly Horowitz, plus the SCBWI’s own exec director Lin Oliver and its president Stephen Mooser.

More than one of my favorite authors shared that they’d started writing to escape a sour marriage. Writing had given other authors refuge from personal demons. For one, writing became therapy in lieu of mental health coverage. Author David Small, whose vocal cords and ability to speak had been severed for 10 years following a neck surgery, rather appropriately quoted Vargas in his rousing talk: “Life is a shitstorm. And when it begins to rain, the only umbrella we have is art.”

If you want to write, trust me (and everyone who’s done it before): The story won’t be good right away. If you don’t believe me, take it from Judy Blume, whose book Summer Sisters didn’t truly emerge until her 23rd draft. Twenty-three drafts. So just put the words down, to start. Writing’s a little like recovering from alcoholism. Take it one step at a time, and through some steady work, you’ll get stronger. You’ll show your best self. (Yes, I take liberties with metaphor.)

Here’s my favorite part of attending SCBWI-LA: Wherever I looked, I knew I’d find someone just like me, toiling away on that thing they love. That story they have to tell. If they’d made the trip to SCBWI-LA like me, that means they’re just as serious about telling it. And I find so much hope in that. Don’t you?

Prep Underway for Thirty Decibels Book Trailer

Before I get into the update – Chicago folks, we need your help!
We’d like to shoot early to mid-September and we need: 1) A choir rehearsal space, either in a school or church or theater, for a few hours; 2) A library for a few hours (bookstore may also work); 3) A high-school age choir group. These choir and library shots are very important to the trailer. So please get in touch if you know of any resources!

Lately, I’ve been working behind the scenes with Chicago’s Palinopsia Studio to prep for our Thirty Decibels book trailer shoot – finalizing storyboards, discussing wardrobe and props, and securing locations – all leading up to the upcoming shoot.

Thirty Decibels storyboard, showing main character Ava in the library: the only place Whisperers hold authority

Thirty Decibels storyboard, showing high-powered politico villain, CityLeader Frankel, using his full volume

Wardrobe will take on a post-cultural layering theme.

Main character Ava's vest, to be paired with a white hoodie.

Short films are such a blast to work on. I have a little previous experience to draw from…

From 2000-2002, I worked for a large Chicago ad agency, Ogilvy & Mather. My main clients were Sears, Kenmore, Suave, and Dove – and I was lucky enough to art direct several TV spots. Basically, that means I helped create the “story” behind each commercial, helped cast the actors, and worked with the director, propmasters, effects artists, and editors to make sure that story idea came across effectively. After stepping foot on that first film set and seeing how efficiently film professionals could create a story from thin air, I was hooked.

In 2002-2003, I worked on the sets of a few short films: I was a set dresser for graduate student Rae Shaw’s film Soap and Roses, which earned the attention of film critic Jonathan Rosenbaum (here’s the unofficial review, and a sample scene); I was a PA (production assistant) / actor in a hilarious horror-comedy called Skunk Ape!? , which appeared in the Tromadance film festival (here’s my take); and a PA / actor in an adaptation of the rather talented Chicago author Joe Meno‘s I Was a Mathlete Until I Met Margo Marriswhich appeared in the Chicago International film festival, Tribeca film festival, and Dances with Films(Click the title to see the whole film. I’m not Margo Marris, but I have a fun cameo.)

I have such a soft spot for filmmaking – for the collaboration of skill, passion, wit, and elbow grease from everyone involved. And I’m so excited to be a part of that tradition again.

I look forward to posting our progress here as we go.
If there’s anything specific you’d like to see, or if you have any questions for myself or the director, fire them away below! We’d love to hear from you.

Shooting began today on the Thirty Decibels book trailer.

And what better way to kick off the production than to capture the story’s villain?

Meet CityLeader Frankel

CityLeader Hiram Frankel, AKA Jason Kingsley

CityLeader Hiram Frankel wields the most political power in East Jefferson, Texas, where main character Ava lives. In fact, Ava’s mother (a Whisperer) works for the man himself. His groundbreaking legislation will take away Whisperers’ only freedoms, and he hopes to extend these changes nationally. He represents the newest, most power-hungry generation of Leaders since the Whisper Rules went into effect nearly a century ago.

The shots

Sehban Zaidi, the director, shot several takes of actor Jason Kingsley giving a speech as CityLeader Frankel. Since we won’t be using his audio for the final cut, Jason made up his own powerful orations… about baked goods and tasty desserts. He had all of us giggling. Yes, every powerful villain has facets that make them human – I guess Frankel’s got a powerful sweet tooth.

Production Assistant Steve Kroodsma and Director Sehban Zaidi ensure they’ve got a great shot.

  

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